Rave Collage

A collection of 1990’s early rave flyers from the North west and South collaged onto a perspex window from Hulme, Manchester’s old demolished crescents.Rave CollageDetail is worked with oil paints to give a stained glass effect when lit from behind with shadow hands dancing as the lights pulse.

The rave artwork has been on display at Curve Pusher studios, Mare St, Hackney, London, and currently looking for a new home for this unique mixed media artwork.

South Africa Inspiration – Cradle of Creativity

Recently I was funded by the Department of Culture and Arts, Western Australia to attend the 19th Assitej World Congress on creating theatre for children and young people in Capetown May 2017. I attended many workshops, developed international contacts and delivered a research paper on puppetry as a form of communication with early years and special needs children. There were many inspiring and uplifting moments, I learnt much about South African culture and history, and was very excited to be part of an amazing festival and event, this is a kind of visual mood board of my experience –

 

She Presents…..

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A series of femmage works exploring how the female holds and creates from the past into the present, the future infinity, cellular memory, time. Size each 8 x 10 inches

For sale -contact rachel@imaginaryleaps.com

Pandora Presents workedShe Presents….acrylic, mixed media 1999,  original artwork sold

she-presents-historyShe Presents….History (patriarchal junk)  2016 acrylic, mixed media, reclaimed frame

she-presents-too-1She Presents….Humanity (all of us genes)  2016 acrylic, mixed media, reclaimed frame

she-presents-secretsShe Presents….Secrets(private life peeping)   2016 acrylic, mixed media

she-presents-wish-equalityShe Presents….Equality, (pissing in the wind)      2016 acrylic, mixed media

Geoffrey Farmer – The Surgeon & the Photographer

g farmerIf youre in London and you havent seen this yet, its well worth a visit to the Curve Gallery at the Barbican or even a repeat visit!

While not strictly puppets, in the sense they are not animated in performance. Farmer has given a magical life to hundreds of cut outs and clippings, taken from bargain used books depositories, and formed into puppets in a 90 metre parade with sounscape and video projection.

Every day for a year he crafted a character, Farmer made his scissor cuts ‘considering the relationship of his hand to the scale of the images the books contained’ , which is can be seen as akin to the relationship of the puppet to puppeteer.

From the gallery guide ‘The sculptural forms he creates have a strong animist sensibility due to the influence on his work of Pacific northwest cultures. Deities, shamans, tricksters and shape-shifting creatures with masks, wands, staffs and other magical accessories abound among his puppets.

Geoffrey Farmer – The Surgeon & the Photographer is on until July 28th 2013 at the Curve, Barbican, London

surgeon-and-photographer-geoffrey-farmer-puppets-b1

http://www.guardian.co.uk/artanddesign/2013/apr/07/geoffrey-farmer-marcel-dzama-review

Photos from Bali – magical island paradise

Gallery

This gallery contains 50 photos.

Bali is a magical island paradise that boasts a rich culture with countless ritual practices drawing from both Hindu and local beliefs. The Balinese treat the many unseen spirits of the land as honoured guests thru the daily presentation of … Continue reading

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Mapping Memory

Harrys Blanket

wendylugg.com                                 http://wendylugg.blogspot.com/

July 2011, I visited this interesting social history exhibition at the State Library, Perth. Resident Artist Wendy Lugg with the Royal W.A. Historical Society has explored their collections of the State Library of W.A. for stories that resonate with her own family memories. In Mapping Memory – artefacts, maps and ephemera rom the collection intermingle with the artists memorabilia and artworks in a rich layering of personal family story, collective memory and the landscapes they share.

kewpie dollAt the  turn of the 20th century Wendy Lugg’s grandmothers emigrated to join their husbands with the hope of a better life, despite the basic living and isolation. For many new arrivals, coming to W.A meant never seeing family again, just precious mementos, postcards and telegrams.The artists heritage is of thrift, and make do, searching op shops for treasures. Growing up making wonders using everyday materials and a lot of imagination. From childhood, she collected driftwood, shells and found objects from the beaches.

‘Just as reflections are distorted by ripples across the surface, memories are not always an accurate reflection of the past.’

‘Since colonization, weve made our mark on the land and its original inhabitants, not always in the best of ways.’

‘Mourning cloth.’